The mysterious French overprint (~1871)
One of the most enigmatic stamps of the French classic period is the Laureate Napoleon bister 10c (10 centimes) overprinted blue « 10 » (Y&T #34, Sc. #49).
Two questions: why this overprint and why, in the end, was this stamp not issued?
1 - Presentation of the stamp
2 - Why this overprint?
3 - Why was it never sold in French post offices?
4 - Used on mail in the late 19th century
5 - The oldest evocations of this overprint
1. Presentation of this stamp
It is a type II 10c with the effigy of Napoleon III, bister color, on which there is « 10 » overprint blue. 200 million type II stamps (without overprint) were issued and principaly used for local letter rate.
Its printing is fine like the overprint which can be dark blue or light blue. The false overprints, and there are some, are often coarse with a thick foot for figure 1. Mine of my collection is light blue (see photo below).
The period of the printing of this overprint is estimated during the summer 1871, after the Franco-Prussian War (July 1870-May 1871).
The French Postal Museum holds a certain quantity, their existence is indisputable. It is also referenced in the catalogs. Its Yvert and Tellier value in 2022 is 3,000 euros ($3,400) and 1,300 euros ($1,500) without gum. This stamp exists canceled as I show in chapter 4 but it isn’t listed in catalogues due to its late use.
This question has been asked for more than a century because if the French postal administration is well kept, rigorous and precise, for this overprint, there isn’t official document. So we can only make assumptions.
|Dates of issue : stamps of this period with face value of 10c and 15c.|
|Y&T #36, Sc. #54 (1870-71)|
3. Why was it never sold in French post offices?
If no document exists on the reasons for this overprint, there isn’t document explaining why this stamp wasn’t sold to the public. There is also no document specifying the number with this overprint and the order to destroy them.
Unless it was the effigy of Napoleon III, who had just fallen, which led to the destruction of such perfect stamps. Perhaps France administration wanted to turn the page on Napoleonic III governance and prevent the population from seeing his effigy on all the letters.
|September 5, 1871: hostility towards the deposed emperor isn't a legend. The republic has just been proclaimed, the sender expresses his support for this new republic by cutting out the stamp with the effigy of Napoleon III.|
|1893: cover from Paris with a pair of 10c Laureate overprinted.|
It is very difficult to say how many overprinted stamps have survived. Anyway, "leaks" took place and several hundred stamps were dispersed to stamp collectors. The beginnings of philately are estimated around 1860, a stamp market had already existed for many years for this type of curiosity.
5. The oldest evocations of this overprint
|1907: Arthur Maury's book.|
|Histoire du timbre-poste français - Louis Leroy (1891).|
1891: in a book written by Louis Leroy (former deputy bureau chief at the central postal administration) and entitled "Histoire du timbre-poste français", in chapter VII « Stamps not issued but prepared », "the overprint was realized by the national printing office in August 1871 (editor's note: which contradicts the letter mentioned by Arthur Maury), when the 15c bistre Cérès were produced. We wanted to keep this color for the local rate which was going to be raised from 10 to 15c and we also wanted to use the important stock of the 10c stamps with the imperial effigy. To distinguish these stamps of different facial values and effigies, but of the same color, we thought of overprinting; it was abandoned almost immediately and the overprinted stamps were destroyed. »
To end this article: The color of a stamp helps the one who checks the postage, so he can work quickly and well. When the color of stamps with different face values is identical, this can lead to errors of appreciation. This overprint would certainly have helped postal agents of the 1870s who worked by candlelight or kerosene lamp in conditions we can no longer imagine.